When You Meet Yourself Again Somewhere You Were Before But Forgot Exactly Where It Is

Undiagnosed with the highs as I only report with the lows. To therapy, that is. And so, After watching episode 3 of Modern Love I thought, hmm, I get it. Not that specific depiction of bipolar disorder, but of these two realities as one person—one depressed, unable to function, and the other with a sense of grandiosity, of being able to do anything and having this imagined magnetism and a thousand thoughts and ideas racing through your mind, then back to the depression. 

These (mood not tv series) episodes don’t come on suddenly for me, I think, as they do Anne Hathaway’s character. They ebb and flow with the seasons, the stress, and the scents around me. There is no clear pattern, though, but fall into winter tends to trigger the worst of it in either direction—something about the heavy clouds that I can feel compressing my skin and the weight of shortened daylight. 

I don’t actually know for certain this is bipolar—I’ve never been formally diagnosed with it (just depression and anxiety) but I know the questions asked to diagnose it and I know the answers align to not just this moment but a series of hypomanic episodes throughout my life. 

I never like to admit I am beyond the ability to control my thoughts or actions because that is terrifying. But I’m in control enough to know right from wrong. To stop myself, generally, from the worst of it. I can try to present as a normal high-functioning individual and hone in on the energy of the episode to be super productive. Unfortunately, the racing thoughts and ideas often are my downfall. It becomes near impossible to focus on anything except some grande scheme like staying up 24 hours straight to learn piano. 

I think it’s important to talk about mental health issues because they are as real as any other health issue. At the same time I know manic me is writing this as performance art—not so much as a cry for help, but a cry for connectivity with others who get it. Because it can be so isolating to exist amongst a sea of people who surely have their own issues but who don’t understand what it’s like to not know yourself, or, to meet yourself again. Not as a schizophrenic but as a person who has two ways of reacting to the world — both with great sensitivity, but one with a sense that anything is possible and the other who fundamentally believes nothing is.

Neither person sees the world in a healthful way. Others who haven’t been there often like to offer advice. If I had a nickel for every time someone told me to meditate I’d buy a meditation studio. Don’t get me wrong — meditation is a tool that can help, especially to calm down a racing mind temporarily, and I should do it more often. But this isn’t about transient stress or situational sadness. This is baked deep into me so deep no amount of headspace can clear my head. 

It seems the other M word—medication—is the only answer. Bipolar meds are very strong and they scare me. If I’ve ever held one belief close to my heart on who I am it is that I always trust my gut-based intuitions to lead me to what’s right. I feel so intensely it is hard to accept that feelings are just reactions to thoughts that are filtered through the altered state du jour. But I’m starting to accept that medication may be the way to go, hopefully not forever. I’m afraid to say goodbye to these moments when I feel like life is filled with infinite meaning, yet I know it’s unhealthy to live in that world now or ever again. 

But – waking up at 1am and then 4am with a surge of energy racing through my veins is magnificent, especially for someone who lives months of her life barely able to roll out of bed at 8 when the alarm clock goes off. The world is electric and moments extend so that days no longer blur together as a sea of grey nothingness but instead are each their own days in and of themselves. Sensations are so heightened and pleasurable even an accidental scratch feels good, or the hard edge of an uncomfortable chair cutting into your back. Because feeling everything is everything in this state. Feeling and experiencing and connecting.

Of course, others don’t live in this world, so you must be relentlessly cautious. There is madness in the splendor. A longing for plot where story doesn’t exist. Scripting plot points in the subtle arch or an eyebrow, the slight exhale of breath, the way the light catches the temporary truth hidden in anyone’s eyes, that longing and loneliness that some of us feel, that emptiness and want for more, found in the insatiable yet isolated, intellectual, often introverted, and inherently introspective.

And here is the downfall of the mania—because the world of possibility is the me that feels fucking fantastic momentarily yet also is aware of every action and reaction and understands that people don’t exist in the same world and then after impulse acting gets these mixed states with jolting lows, a quick cycling depression, embarrassment, shame, questioning ones own judgment, uncertain one deserves life at all (disappearance seems to be the best strategy to protect others), leading up to what inevitably is falling apart and slipping into the dark depression you know too well where all those highs of the epic life before feel like they came from a dream, from someone else’s life. It’s not like the plot points disappear then, they just become little silent self deprecating jokes along the way. You wonder how you ever thought people could consider you attractive or interesting or worthy of interaction.

The depression inspires a different kind of productivity as it tells you that you will never be good enough and you must constantly prove you are. The mania tells you that you will never be good at the things you ought to be good at anyway but there is so much more to be and do and feel. It’s probably why many artist types are manic depressive. Because in these states you can just create and you aren’t self doubting so much that you might create a work of genius or you might spin out the comparable of horse manure in a critic’s eyes and yet you put out something from start to finish and that’s enough for a shot at creating something meaningful. 

Or, you do what you have to do to survive and fight the urges and silence your mind and run your fingers across the pliable edge of the lemonade cap and feel where it compresses against your skin while listening to music’s rhythms shift and harmonies and discords meld into your eardrums and your play songs on repeat or moments of songs on repeat because they know your soul far better than you do and get inside of it. You write and write and write to scrub your mind empty as fast as possible and in the intervals of exhaustion-fueled silence try to focus and be productive and just survive. You try to exist as if nothing is different but of course everything is.

I don’t know if this is how other people experience mania, or if this even is mania, but it sure feels it. I’ve seen this all play out before, now time and again. I know how the story ends, and where it’s going, if I’m not more cautious. Yes, I ought to pick up a daily meditation practice and do whatever it takes to power through this, and do it on my own, to protect myself and others who may be impacted from my behavior and cravings in this beautiful terrifying heightened state of existence that will surely fall hard back to reality all too soon. And I’ll hold my breath this time and try to make it there without acquiring or gifting too many scars along the way.

Home.

The long goodbye to my first love continues. Goodbye to the walls which embraced me in my darkest times. The floors which captured my tears and laughter. The scenery that soothed me as I fell apart and puzzle pieces myself back together to survive another day.

Downstairs, the spaces which, since altered, once held me as I listened to my “The Little Mermaid” tape to capture the lyrics of “Part of Your World” pausing and rewinding every second (for the record it’s not pregnant women, sick of swimming, ready to stand), the same floor where I made a brilliant stop motion video about The Bluest Eye, the spot where I came home from school one day, having forgotten my key, and climbed through an unlocked window and fell face first into the game room, successfully entering, nonetheless. And I walk barefoot on the floors where countless games of War were played and Erector sets were erected in the best moments with my father, in happier times.

Continue reading “Home.”

Motions.

Going about the motions from morning to midnight,
trying to silence the sensitivities that swing you over,
and instead march on, focus, task oriented, GSD, one
deliverable after another, wake up, get up, and go,
and then again it is night, my child crying, 4am, my
bones rattle with exhaustion and delicate temperament.

Maneuver through meticulous motions, machine,
marching on from moon fall through moon rise,
silence the sensitivities that swing you over and over.

Life is a tactical, a solvable equation, in and out,
a game of strategy, not wit, of disappearance::
that riddle is you, hidden behind thick metaphor.
And few even notice at all, which is the victory you seek,
in that storm shelter of your soul, surrendered there,
going about the motions from morning to midnight,
silencing the sensitivities that swing you over.

,

Commas are inherently erotic. In otherwise coherent forward momentum, your mind unwillingly submits, bound by forced pause, chained by assertive mark. Your inertia is held, back, ,back from gratification, that desire for completion, and completion is,

Stop.

She ran anxiously through a forest of overgrown trees that hadn’t been touched by another human in years. Thick foliage ripped her feet raw as they bled and painted lush verdant carpeting a morbid maroon. In the thick of thicket, surrounded by oak and pine, a lone stop sign stood, screaming its one purpose, “STOP!”

But she just kept running. She wasn’t sure where. The trees blocked the view of anything beyond and her feet were scraped to the bone, but she ran anyway in circles and squares and circles again.

There was, she later observed, a clear, paved path out of the forest, down the road, to town, where people laughed and played and drank and took comfortable shelter at night and in the storms. But, for whatever reason, she couldn’t see it. She refused to see it. Plenty watched this woman running in circles, her feet tattered, her clothes torn, her body aching, and questioned why she didn’t just step on to the path and head back into town.

She didn’t see it. The more she ran, the further blind she became to anything but trees and that stop sign, coming into view time and again, cutting through leaves, pinecones, and bits of broken and unbroken branches sprawling to the sky. She just kept running because that is all she knew how to do. And she hoped, without hope, that someday deep in that forest, there, in the prickled green, would be another pair of feet, freshly wounded, another set of eyes, seeking an exit but incapable of finding the obvious path out, and another pair of fingertips, reaching recklessly towards the branch-cut sky.

Instead she remained there, alone, revisiting the stop sign every few days and pondering its significance. “Why stop if there is no one else here,” she thought. “Why stop if I don’t even know the first thing about how to start.” She looked down at her battered feet, layered with old and fresh dirt and dried blood, and continued on, in circles, through the forest, running for the sake of staying in constant motion, hearing the laughter erupt from those in town, somewhere, nearby, and suffering from self-sourced infliction.

The forest isn’t real, the villagers knew. It was just a stop sign and a crazy woman circling it. She hadn’t any wounds on her feet, only deep in her heart, long ago pierced by something far more sinister than fabricated forest; her throbbing vessel, beating alive at her core, punctured prematurely, left open and raw, with a wanting wound, festering from infinite intervals of intellectual isolation.

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Alliterated.

Drowning in dysphoria, despondence, and daydream days,
fixated on feeling over function to find fortitude and focus,
mapping mixtapes and moonshine in my melancholy,
the entropy of eros erupts in its evolving evolution,
sentience surrenders to sleep starvation, silently,
as armored arteries act according to alliteration,
wallowing whimsically with weathered want.

I Hate Fiction. True or False?

I’ve decided to try to read more. More is pretty easy since that means going from 0 books a year to, well, more than that. But, being the ridiculous person I am, I decided I should read 36 books by the time I turn 37. That gives me a year and one month to make that happen.

I don’t like fiction. You might be surprised by that fact since when I write anything I tend to write descriptively, as if inspired by the floweriest of fiction writers. But, I guess, deep down, I’m not interested in made up stories or people. What I am interested in is how fiction can be used as a tool to explain what makes people tick. Most fiction, at least literary fiction, seems to do this somewhat — but most of it also doesn’t get philosophical enough for me. That’s why I liked Kundera’s The Unbearable Lightness of Being (as much as I can like made up stories about made up people) and also why I have failed to get into most fiction books that I’ve picked up.

Continue reading “I Hate Fiction. True or False?”

How To / To How / To / How?

To write, or, more broadly, to create, I feel I must know, as many do, all the things that must be known, albeit not everything, since no one can know everything. But, in the case of the creatives, I speak of those who know many things to reference and metaphorize, which, in my general naivety, or general choice to ignore all rules, I’m claiming it as a word, red-dotted underline be damned. And, I do not have such knowledge, so I feel I have not earned the right to create. Not yet. But when?

I know so little. I know what I know of constantly fluctuating emotions in the boiling bubble of my brain, but little else. All that I’ve “learned” disappears in moments. I have nothing to reference. I’m discovering notes without knowing that music is an art form. I’ve got nothing.

Continue reading “How To / To How / To / How?”