Think of a character and plot so unlike me they would be both interesting to write about for hours on end and intoxicating to escape into. Escape is what I need, not from any one location, but from this mind which is like a forward-loading washing machine churning the same load of clothing over and over nonstop for eternity.
There is really nothing more to be said about *me* as much as I’d like to imagine my life is so interesting millions would gather to hear me read a few pages of a memoir I’ll never write — the one titled “I’m not funny. I’m hilarious.” Or my very-far-into-the-future best-selling self-hurt book “fuck zen: embracing your inner and outer anxiety.” All the books I’ll never write because I really don’t have much to say and what I do have to say is not as interesting as what everyone else has to say and so I might as well not say it.
But I still dream of figuring out how to write fiction. It seems awfully delightful—as one flings from childhood and its imagination allowance its easy to forget how to think up all the things that could be while buried in trying to resolve the things that are. Maybe in that imagination somewhere is a story that is meaningful enough to make readers gasp and sigh and feel and understand their own behavior and wants and needs a bit more—it always astounds me how little most people think about the whys of everything. So stories gently remind them of themselves and prod at those ignored vulnerabilities. The sore spots festering beneath fresh cookies made for bake sales and their accompanying smiles and social niceties and hiding behind office desks and in conference rooms where people turn into robots to perform their roles to find some meaning in all the meaninglessness, as well as to pay rent. I’m not very good at *that* kind of pretend so it would be helpful if I could find some talent for the other kind.
But alas, I too have no imagination. Or, I lost it a long, long time ago, somewhere in the fading wallpaper of my childhood home. I think it’s there somewhere, in me too, still. I’m curious at the least. So maybe there is a story in me, somewhere. The world has millions of books written and many are horrible and many have only been read by the author and her mother and her two best friends but they at least are books that were written!
This writing of fiction requires empathy not just for real people but for fake people as well. I’m unclear I have either. Though instead of loving my protagonist(s) I think I’d be served better as an author to hate them, or have a cold indifference to their choices, irregardless of how kind or evil they might be. The empathy of not judging ones behavior in knowing that all action is in reaction to something that at some point one had no control over. A general acceptance of the philosophy that free will is an illusion and we are all a chain of dominos tipping over in the direction we ought to, in response to other dominos tipping over on us.
If one day some critic writes about my writing, it should say something like this—she writes of humanity’s ugliness and beauty through the lens of sociopathic wit. No person’s vice is judged by the author, and even the reader finds themselves relating to the darkness of humanity, seeing how we all slip sometimes, at least mentally, into places we prefer not to admit even to our therapists and diaries. Not necessarily to the depths of her complexly fractured characters, but in their thoughts and impulses which seem to translate somehow to all of us in a personal way which guts us reading any of her many works — she will go down as one of the most prolific and thoughtful authors of the century.
Or, perhaps, she will go down as the woman who never accomplished more then blogging about all the things she would like to accomplish because her only talent in life was coming up with ideas of things to accomplish that she never would.
Oh well, maybe 2020 will tilt me towards prolific productivity or, at least, a plot, or person to write said plot about.
life with interest 